I love a slow burn. I love stretching a moment until it hums. IMO tension is the oxygen  of romance. So, whether you’re writing a glacial slow burn or a fast, feral spiral, here are some high-impact ways to add tension that don’t rely solely on “will they / won’t they”  (though that still slaps). 1. Asymmetrical Want One of them wants more —emotionally, physically, or in terms of timing. One is ready; the other is terrified. One thinks this is casual; the other is already in

Write freely. Hit the beats. Keep the heart. Use this as a loose guide — not a rigid structure. These beats are about emotional shifts , not scene-for-scene plotting. ACT ONE: THE SETUP (0–25%) 1. The Spark (Opening Image / Tone Check) Establish genre tone. Romance readers want to know what kind  of love story they’re in for. Sports romance? Let’s feel the adrenaline. Rockstar romance? Cue the chaotic glamour. Romantasy? Set up the magic and mood. Sequel? Ground us in where

HGT's Revelations  album is the bands sixth album and is featured in Through the Glory and the Mess, as well as, the HGT Legacy Series. 1. King of My Heart — Taylor Swift 2. Heavy — Linkin Park, Kiiara 3. Bad at Love – Halsey 4. Champagne Problems — Taylor Swift 5. Figure It Out — Royal Blood 6. Overcome — Nothing But Thieves 7. Over the Love — Florence + the Machine 8. You Should Probably Leave — Chris Stapleton 9. Waiting Games — Banks 10. Still — Daughter 11. Without Me —

‘Breaking Point’,  written by Liam and Emma for the Hartgrave Teller’s sixth album, Revelations. After the Heartlines Tour in 2023—and before the creation of the Revelations  album—the band reached a breaking point and took an extended hiatus. ‘Breaking Point’  is a deeply personal song inspired by the events in this novella. To explore the full lyrics and dive deeper into the music behind the novel, click here. 1. Someone You Loved — Lewis Capaldi 2. Bad at Love — Halsey 3.

The Crisis: We’re Losing Experts — and Calling It Gatekeeping One of the strangest shifts happening in book culture right now is the idea that expertise is elitist . We’re living in a moment shaped by: • parasocial reading habits • algorithm-driven discourse • a distrust of institutions • and, frankly, epistemological decay — the belief that nothing is knowable and anyone can be an expert if they “feel strongly enough.” This mindset shows up everywhere. Suddenly: • craft is “

I’ve been thinking a lot about how fandom culture has shifted — and why so many of us feel exhausted by modern BookTok discourse.

There was a time when fandoms were small, intentional, and tucked away in corners of the internet — Early Tumblr, MySpace forums, fan-made websites, and niche spaces you had to seek out. If you were in a fandom, you were there because you loved the thing.

Let’s do a quick history crash course on how trends in genre fiction actually evolve. ACOTAR was drafted long before the romantasy boom. Sarah J. Maas started writing the earliest version around 2012, right at the tail end of the YA vampire craze. Paranormal was fading out, dystopian was peaking, and no one was touching fae in a mainstream way. When she finally published ACOTAR (2015), she absolutely reframed the fae mythos.

(A calm, grounded take — not ragebait, not a clapback, just clarity)

What Trend Reading Actually Is Trend readership isn't new. It arrives in waves, always has, always will.

Then Open TikTok and Enter a Parallel Universe I know I’m not the only one who’s had this experience.  When I finally read ACOTAR, I read it like a genre reader. I’d read fantasy. I love fantasy: • I enjoyed parts • side-eyed parts • loved some characters • felt “meh” about others • understood the messy bits • appreciated the arcs • clocked the trope lineage • took the world as it’s written You know — a normal reading experience. Then I opened TikTok. And suddenly I was in a

We all love a good redemption arc — watching a male love interest fight his way out of darkness, claw back his soul, and prove he’s worthy of love. But what often gets left behind in these arcs? 👉The heroine. When he lies, betrays, disappears, or breaks her trust, the story shouldn’t just follow his  path to redemption. It should also follow her  path through pain, rage, confusion, vulnerability — and the strength it takes to hold the line  while someone else gets their act

Holiday lights, Christmas specials, and a band in a cozy‐chaotic pub concert in Manchester—it’s the season of confessions, cinnamon buns, and one bed too many. The Chain – Fleetwood Mac Wonderwall - Oasis All I want for Christmas — Mariah Carey  Carol of the Bells — Trans-Siberian Orchestra Jingle Bell Rock — Bobby Helms Happy Christmas (War is Over) — John Lennon and Yoko Ono Merry Christmas Baby — Bruce Springsteen Dress — Taylor Swift Everywhere — Fleetwood Mac Lover — Tay

If you’ve just dragged your readers through betrayal, lies, emotional carnage, or a full-blown villain era, and you're planning a redemption arc for your male love interest, first of all, congrats. Now comes the hard part . Redemption arcs can be some of the most powerful, emotionally satisfying beats  in romantic fiction. But when done wrong, they feel hollow, manipulative, or rushed. When done right , though? They elevate the entire story. They say: “Even in darkness, love

Romance isn’t just about two people falling in love. It’s about trust — not just between characters, but between the reader and the writer. Every time a reader picks up a romance novel, whether it's a spicy fantasy or a slow-burn contemporary, an unspoken agreement is made: “I, the author, will tell you a story that gives you what I promised.”“I, the reader, will suspend my disbelief, invest in these characters, and follow where you lead — as long as you honor the deal.” This

Reclaiming nuance, respect, and critical thinking in fandom spaces There’s a reason we love to talk about books.To analyze. To question. To tear apart a scene, a line, a look between two characters and say — what did that mean?  What does it tell us about the world, the writer, ourselves? That’s what makes storytelling powerful: interpretation . But lately, online book culture — especially in fantasy romance and romantasy spaces — has been leaning more toward demolition than

There’s a moment that happens in almost every fandom:A character does something selfish, angry, or cruel — and someone says, “But they’ve been through so much.”And someone else fires back, “Trauma isn’t an excuse.” They’re both right. They’re both wrong. And most importantly, they’re talking past each other.

We live in a time when more people are reading than ever before — and yet fewer seem equipped to actually understand what they’re reading. Scroll through BookTok, Bookstagram, or fandom threads, and you’ll see it:A growing wave of misreadings, emotional hot takes, and confidently incorrect interpretations of characters, arcs, and themes. It’s not that readers are less intelligent — but that literary and media literacy have quietly eroded , even as content consumption explodes

When Rebecca Yarros took the stage at a romance convention and told fans that Xaden Riorson — the dark, brooding, beloved love interest of her Empyrean series — was about to enter his villain era, the fandom did what fandoms do: It exploded.

Romance readers love a good heroine arc — the trauma, the recovery, the reclamation of power. But when it comes to male main characters, the rules often shift. One misstep, one bad decision, and suddenly he's labelled irredeemable, abusive, or “not the real love interest.”